Our professional experience has led us to believe that an architect’s work is about recognising and designing conceptual structures (systems of ideas, needs and desires) that end up having a physical presence (cities, landscapes, buildings, houses, furniture…).  This skill is the result of training and a sensitive, multifaceted approach (scientific, technological, aesthetic, ethical or humanist) that allows us to move comfortably from the concrete to the abstract and from the material to the immaterial.

This vague, mixed profile, to be a jack of all trades and a master at none, is what enables us to look at things from a distance, imagine the underlying structures and propose, in close collaboration with those who have a more specific knowledge (multidisciplinary teams), new organisational forms.

This interdisciplinary, transverse, cross-sectional outlook is necessary in a society like our own, which is obliged to find new formulas for an increasingly new and complex context, whose form is still not perceived with clarity, even though it exists in all entirety.

For an architectural project to progress with logic you have to initially take a close look at the surrounding area, in order to comprehend and question the material or immaterial context, with the ultimate aim of creating a new object of synthesis whose purpose is to improve upon an existing reality.